Kata Wéber / Kornél Mundruczó
September 20, 2012
2 h 15 min (no intermission)
110 zł – regular
60 zł – concessionary
30 zł – entrance fee
TR Online streaming
29,90 PLN – presale price
39,90 PLN – on the day of the event
The performance uses strobe lights and includes some nudity.
In the dead of winter several people who have never met before are gathering in an unsettling, cold, hospital-like building in a remote location to celebrate the upcoming New Year’s Eve. The preparations for the last night of the year are accompanied by the sweet strains of the operetta “Die Fledermaus” (“The Bat”) by Johann Strauss, Jr. Many of the guests had to make quite a few sacrifices to get there. They were ready to give up a lot, even risk their reputation. Some of them are young, some are old, some are married, some – single. The only thing they have in common is curiosity – they are most keen to find out whether a human being can handle divine freedom.
Kornel Mundruczó and TR Warszawa ensemble have created a classical buffo opera. With a performance based on the text written at the time when Nietzsche announced that God is dead, the Hungarian director discusses the issue of “godless death” and asks the same old question: if and to what extent we are allowed to decide on or own existence?
For organized post-gymnasium school groups we offer introductory workshops to the performance (please contact the education department firstname.lastname@example.org) for more details).
Twórcy i twórczynie
director: Kornél Mundruczó
script: Kata Wéber / Kornél Mundruczó
translation: Jolanta Jarmołowicz
set and costume design: Márton Ágh
music: János Szemenyei
dramaturgy: Gábor Thury
lights and video: Kornél Mundruczó
In the performance fragments of “The Bat” translated by Julian Tuwim are used.
Prawa autorskie tłumaczki Jolanty Jarmołowicz do sztuki “Nietoperz” reprezentuje Agencja Dramatu i Teatru ADiT.
director’s assistant: Paweł Kulka
stenographer’s assistant: Maja Skrzypek
Photo by Kuba Dąbrowski
“ To say that Mundruczó’s performance is perfect is to say nothing at all. “The Bat ” is like a never-ending dance on the edge of a knife, pirouette at the verge of a chasm, race along the border between dignity and disgrace. Actors surprise us with their versatility when they swiftly morph from realistic acting to grotesque, operetta-like conventions. They change moods as if they are zapping through channels, making the audience totally confused. Jocular seriousness or serious joke – they own it ”
“Mundruczó achieves an amazing feat. By stirring up a music/theatre storm, he forces death to take a look at itself in the mirror of a silly operetta. (…) You can gobble up “The Bat” like a perverse game, an entertainment carrying a horrifying stigma. But not for long. Soon, you’ll start thinking: Can it be that Kornél Mundruczó tore down the door, that had been nailed shut by the Polish theatre so far? Door that lead to important topics begging to be discussed with a bit of humor and in an attractive form, yet seriously?”
The Guarantees of Culture Awards 2013 in “Theatre” category
Kornél Mundruczó and TR Warszawa actors ensemble for a collaborative creation in “The Bat”.
At 53rd Kalisz Theatre Encounters for the actor’s ensemble
At the 6th Divine Comedy International Theatre Festival for best production
6th International Theatre Festival Divine Comedy (15.12.2013)
53rd Kalisz Theatre Encounters (11.05.2013)
6th Coast of Art Festival, Gdańsk (28-29.04.2013)
In cooperation with the Hungarian Cultural Institute in Warsaw and co-funded by the Ministry of Culture and National Heritage.