Based on Anton Chekhov's "Three Sisters".

  • ATM Studio

3STRS

dir.Luk Perceval
Production of TR Warszawa, coproduction with z The Helena Modrzejewska National Stary Theatre in Krakow
25.06 19:00
26.06 19:00
27.06 19:00

Bus from TR Warszawa/ATM Studio.

  • Adaptation and direction

    Luk Perceval

  • Premiere

    Warsaw: June 20, 2021, TR Warszawa/ATM Studio
    Krakow: May 15, 2021, The Helena Modrzejewska National Stary Theatre in Krakow, main stage

  • Duration

    ca. 2 hour 30 min

About

Traveling to Moscow is not an issue anymore since you can fly to the Russian capital for 99 euros. Today the daughters of General Prozorov, the title characters of Chekhov’s drama, no longer miss big city. It is the time of their youth that they are longing for. Low cost airlines do not run in this direction. You can only get there on board of your own uncertain memory.

In the vision of Luk Perceval, “The Three Sisters” is a portrait of an aging Europe that does not want to give in to the passage of time. The routine of the title heroines’ daily existence is interrupted by an attempt to recall events from the past. In a metaphorical nursing home, aging Europe confronts the new energy of immigrants. What results from this meeting? What are the political and social consequences of the aging of entire societies? How do we deal with old age, memory loss? In what way do we construct and idealise the past?

The theme of the passing of life, characteristic of Chekhov’s dramaturgy, has never been as current as it is today, when the old world order collapses and the new one has not yet developed. The pandemic has added another aspect to problem of aging: the isolation of older people. The Prozorow sisters are shipwrecked prisoners on the island of memory. They live in the past, unable to confront the present. What are they afraid of and what do they miss? What are we afraid of and longing for?

photos by Monika Stolarska

  • In the performance was used

    The performance is based on Anton Chekhov’s play titled: “Three Sisters”.
    In the script the following works are used:
    a fragment of the poetic novel titled: „Lambro. A Greek Insurgent” by Juliusz
    Słowacki;
    a fragment of the song “Kołysanka dla okruszka”, music Seweryn Krajewski,
    lyrics Agnieszka Osiecka;
    a poem from Anton Czekhov’s correspondence, cited after: Sylwia Frołow
    „Antonówki“, Wydawnictwo Czarne, Wołowiec 2020.

    In the program fragments of the following book are used:
    Douwe Draaisma, “The Nostalgia Factory: Memory, Time and Ageing”
    trans. Ewa Jusewicz-Kalter, Wydawnictwo Czarne, Wołowiec 2010. Reprinted
    with the permission from Historische Uitgeverij, Groningen, Nederland.

    Produced by TR Warszawa,

    Co-produced by The Helena Modrzejewska National Stary Theatre in Cracow

Creators

direction: Luk Perceval

stage design, video: Philip Bussmann

costumes: Annelies Vanlaere

lights direction: Mark Van Denesse

music: Karol Nepelski

script translation: Karolina Bikont

dramaturgy cooperation: Roman Pawłowski

director’s assistants: Alek Niemiro, Aleksandra Śliwińska

literary assistant: Jacek Telenga

costume designer’s assistant: Karolina Bramowicz

Play based on “Three Sisters” by Anton Chekhov.

Production

set manager: Karolina Pająk-Sieczkowska

stage manager: Wojciech Sobolewski

  • Maybe it is a spectacle about aging Poles, who today constitute the margin of Europe and, living in a grotesque cardboard state, see their imaginary power and imaginary meaning in the mirror? Or maybe more broadly: about an aging Europe, staring at the illusion of its power and strength, stuck on the periphery of the world, where what is important now takes place on completely different stages? Or maybe it is simply a spectacle about contemporary man, who cannot find his place in a world composed of false narratives?

    Tomasz Domagała, domagalasiekultury.pl
  • In the original, the declining existence concerns the existence of concrete people, and at the same time, a passing away cultural formation or social class – the Russian nobility, while in Perceval’s work it becomes a mechanism of playing out the same scenario from the fading memory, a cultural pattern, and looking at it – and at the same time, at ourselves, because without a cultural pattern there is no us.

    Witold Mrozek, Wyborcza.pl

Production of TR Warszawa, coproduction with z The Helena Modrzejewska National Stary Theatre in Krakow.

Support from the COVID-19 Counteract Fund

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