AgnieszkaŻulewska
Marszałkowska 8
Rechnitz. Opera – The Exterminating Angel
reż. Katarzyna Kalwat
| Termin | Odwołane: 23.04.2021, 19:00 |
| Premiera | 07.02.2019 |
| Miejsce | Marszałkowska 8 |
| Rodzaj programu | Spektakle |
| Rodzaj wydarzenia | Performance |
| Reżyseria | Katarzyna Kalwat |
Obsada
CezaryKosiński
LechŁotocki
MagdalenaKuta
TomaszTyndyk
Photo by Marcin Oliva Soto
The new talents line
The performance was produced within the frame of the new talents line programme. TR Warszawa for many years now has been promoting new artistic talents through such projects as: Warsaw Area [orig.: Teren Warszawa], TR/PL, Field TR [orig.: Teren TR], Young TR [orig.: Młody TR], TR Debut [orig.: Debiut TR], artistic residencies, guest showings of diploma works and performances, repertoire showings of performances co-created by new artists and production of selected projects in cooperation with foreign partners. TR Warszawa provides artistic shelter, where artists may experiment and implement their ideas for theatre.
Within the new talents line in the past artistic seasons, the following directors presented their productions: Wojciech Blecharz (“Soundwork”), Klaudia Hartung-Wójciak (“The Chinese”), Grzegorz Jaremko (“Woyzeck”), Katarzyna Kalwat (“Holzwege”, “Rechnitz. Opera – The Exterminating Angel”, “Maria Klassenberg. Ecstasies”, “Staff Only” – coproduced by Biennale Warszawa and TR Warszawa), Anna Karasińska (“Ewelina’s Crying” and “Fantasia”), Katarzyna Minkowska (“Stream”), Jędrzej Piaskowski (“Puppenhaus. Treatment”, “David Is Going To Israel”), Piotr Trojan (“Grind/r”), Magda Szpecht (“The Possibility of an Island”, “Always Coming Home”), and Małgorzata Wdowik (“The Footballers” and “Fear”).
Recenzje
“An amazing concert. This is a spoken, shouted, hissed, chanted and sometimes sung opera.(…) You listen to it with a heavy heart but also with a great admiration for the performers (mastery of Magdalea Kuta and Tomasz Tyndyk deserve a special mention).”
Kalwat compares her team’s acting to an ecstasy or hysterics put into “an opera form”. Such approach not only emphasizes the operaisation and musicaisation of the text by the Austrian Nobel laureate, that adds to the text’s artificial and exalted form but also allows to reach deeper into the actors’ bodies, that are transformed into energy centers.”
“Oratory delivery, where co-called situations are only suggested, and where the tension comes from the music attached to a poignant text, makes quite an impression.”
“Wojciech Blecharz’s musical arsenal, implemented very deliberately and consequently throughout the entire performance seems to correspond well with Katarzyna Kalwat’s thesis on the role of music in the service of lie and the ability of sounds to jam the truth.”
Produkcja i partnerzy
Rowohlt Verlag is the owner of stage right to the Elfriede Jelinek’s drama.
Partners of the performance
Austrian Cultural Forum
The new talents line
The performance was produced within the frame of the new talents line programme. TR Warszawa for many years now has been promoting new artistic talents through such projects as: Warsaw Area [orig.: Teren Warszawa], TR/PL, Field TR [orig.: Teren TR], Young TR [orig.: Młody TR], TR Debut [orig.: Debiut TR], artistic residencies, guest showings of diploma works and performances, repertoire showings of performances co-created by new artists and production of selected projects in cooperation with foreign partners. TR Warszawa provides artistic shelter, where artists may experiment and implement their ideas for theatre.
Within the new talents line in the past artistic seasons, the following directors presented their productions: Wojciech Blecharz (“Soundwork”), Klaudia Hartung-Wójciak (“The Chinese”), Grzegorz Jaremko (“Woyzeck”), Katarzyna Kalwat (“Holzwege”, “Rechnitz. Opera – The Exterminating Angel”, “Maria Klassenberg. Ecstasies”, “Staff Only” – coproduced by Biennale Warszawa and TR Warszawa), Anna Karasińska (“Ewelina’s Crying” and “Fantasia”), Katarzyna Minkowska (“Stream”), Jędrzej Piaskowski (“Puppenhaus. Treatment”, “David Is Going To Israel”), Piotr Trojan (“Grind/r”), Magda Szpecht (“The Possibility of an Island”, “Always Coming Home”), and Małgorzata Wdowik (“The Footballers” and “Fear”).